OK, it’s my turn to post again, and to be honest, I really struggled to work out what I was going to say. Sure I could talk about myself and my trip down rock and roll memory lane as the house photographer for The 80s Rocked at the Cambridge Corn Exchange. Which, by the way, was absolutely brilliant (go see the show if you’re in the country and it comes your way!) and another example of the type of production resource Yellow Horse can offer.
Luckily, Scott saved me by writing a rather in-depth blog post over at scottStories that will tell you all you need to know (for now!) about his latest project.
Says Scott:
Actually, the story is more emotionally harrowing, and very different from what one might expect of a horror film these days. In fact, I describe it as an indie-horror, as it deals far more with character development and circumstances than blood-soaked peril. It’s actually amusing to think how few traditional elements of the typical horror yarn are in attendance. There is no nudity (although, it is implied), no blood (save a few small drops), and no body count (per se). But what is there is suggested in an exciting and intriguing way. In other words, if I do my job, you’ll feel far more than what you may be used to. Every piece of dialog and action counts, with grave circumstances looming like a yellow moon.
